Colin Reaney
Colin G. Reaney (b: 1952) is an Australian sculptor and interdisciplinary artist whose practice has developed over more than four decades through an extensive international career as both an artist and educator.
Living and working across Australia, SEAsia, Western Asia and Europe has profoundly shaped his approach to making, where ideas of place, movement and belonging remain central concerns. Rather than presenting sculpture as fixed or monumental, Reaney creates situations in which objects, materials and language gain quiet yet complex relationships.
Reaney’s exploration of sculpture continues as an active field of encounter. Everyday forms, found objects, constructed elements and fragments of text are carefully positioned so that meaning emerges through proximity, balance and association rather than narrative or symbolism. Each work exists not as an isolated object but through its relationship with surrounding objects, the architectural space and the movement of the viewer.
Underlying this approach is the philosophical idea of “thisness”, the singular condition of something existing precisely as it is, in a particular place and moment.
For Reaney, this becomes a way of thinking about sculpture as provisional and open ended, objects are continually displaced, repositioned and reconsidered, never settling into a single fixed meaning.
Reaney’s practice has always been informed by the experience of crossing cultures and living between places.
His years working throughout Australia, SEAsia, Western Asia and Europe continue to inform work that reflects on migration, memory and the ways meaning is assembled through everyday encounters. Returning to the Fraser Coast after two decades abroad has brought renewed attention to the ordinary object, the domestic interior and the subtle gestures through which people construct a sense of home.
“From the catalogue: “A Marquette for a big sculpture” 2025/6
Timber, metal, paint, paper & graphite drawings
Dimensions variable
Sharjah Trolleys II (2017)
Stainless Steel, wood, metal castors
100cm x 100cm
Sharjah Trolley V (2017)
Wood, Stainless Steel, acrylic paint, synthetuc grass
100 cm x 200 cm
Studio Model (2026)
wood, metal, found objects, graphite drawing, acrylic paint
Dimensions variable
The circle in the square - the sphere (2025/6)
Installation image, from exhibition: OBJECTS IN A SITUATION
Image courtesy of Hervey Bay Regional Gallery, photo: Natasha Harth
Dwelling in the peripheral shade (2025/6)
Installation image, from exhibition: OBJECTS IN A SITUATION
Image courtesy of Hervey Bay Regional Gallery, photo: Natasha Harth
Settlement (detail) 2025/6
Installation image, from exhibition: OBJECTS IN A SITUATION
Image courtesy of Hervey Bay Regional Gallery, photo: Natasha Harth
Settlement (detail) n(2025/6)
Installation image, from exhibition: OBJECTS IN A SITUATION
Image courtesy of Hervey Bay Regional Gallery, photo: Natasha Harth
How to explain landscape to a rabbit - 24 rabbits
Installation image, from exhibition: OBJECTS IN A SITUATION
Image courtesy of Hervey Bay Regional Gallery, photo: Natasha Harth
How to explain landscape to a rabbit - 24 rabbits (detail)
Installation image, from exhibition: OBJECTS IN A SITUATION
Image courtesy of Hervey Bay Regional Gallery, photo: Natasha Harth

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